(download^@^) Martinho da Vila – Bandeira da Fé Album Download Mp3 FULL ALBUM

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    (download^@^) Martinho da Vila – Bandeira da Fé Album Download Mp3 FULL ALBUM

    ============ALBUM LISTEN & DOWNLOAD HERE============

    FULL ALBUM CLICK HERE: http://mp3now.live/1439281507-martinho-da-vila-bandeira-da-fe-2018-143

    ============ALBUM LISTEN & DOWNLOAD HERE============

    Tracklist:
    1. O Rei dos Carnavais
    2. Depois Não Sei
    3. Fado das Perguntas
    4. A Tal Brisa da Manhã (feat. Mart’nália)
    5. Ò Que Saudade
    6. Minha Nova Namorada
    7. Ser Mulher (feat. Gloria Maria)
    8. Não Digo Amém
    9. Bandeira Da Fé
    10. O Sonho Continua (feat. Rappin’ Hood)
    11. Zumbi dos Palmares, Zumbi
    12. Baixou na Avenida (feat. Tunico da Vila)

    ============ALBUM LISTEN & DOWNLOAD HERE============

    [First Leaked!!] Martinho da Vila Bandeira da Fé “” Download Leaked Album

    “I do not think much about death. But she turns and comes, right? Because it’s right. And I do not think about the after. There is no bag to fear death if it is certain. I just do not want to be sick for long. I want to die without giving work, good.

    After gaining “Zumbi dos Palmares Zumbi”, samba for the quilombola leader made in 2000 for the “Concerto sambo” that he presented at the Municipal Theater, Martinho finishes the album with the samba-frevo “Baixou na Avenida”. The song puts Miguel Arraes, Paulo Freire, Ariano Suassuna, Francisco Brennand “and other dreamers” side by side in a Pernambuco that reflects the richness and wisdom of the Northeast, star-guide to which Martinho is attentive. “And here in Rio joyfully / I am frevando the samba / E teaching the carnival”, say the last verses of the disc, flag of faith erected high by the composer.

    “I do not think much about death. But she turns and comes, right? Because it’s right. And I do not think about the after. There is no bag to fear death if it is certain. I just do not want to be sick for long. I want to die without giving work, good.

    With cover of Elifas Andreato, “Flag of the faith” was born of a suggestion of the record company. Martin had already decided not to make more albums (“Nobody hears, the conceptional is to record one or two songs and put on the web, these things of today”). But he gave in and went to mine his trunk. He found, for example, the idea not developed for the plot of Vila Isabel of 2016, “Memories of the Father Arraia” (homage to Miguel Arraes), which became “Baixou na Avenida” and recorded assembly. The very “Flag of Faith” period one that had been recorded only drain Agepê and now gains the interpretation of its author. “In such a breeze,” cast his partner Luiz Carlos da Vila’s drain, too.

    Exclusive artist of Sony Music, Martin local area network the CD, that takes the same nomarchy of the spectacle, with 12 songs of its own. Some in partnership with other artists, mostly unpublished.

    The woman is still present in “O que saudade”, samba rustic that reminds the beloved left in the interior (“Certainly already forgot me / To forget it too / I opened my heart to love”). Or in “My new girlfriend,” in which the muse is Barra da Tijuca.

    Exclusive artist of Sony Music, Martin local area network the CD, that takes the same nomarchy of the spectacle, with 12 songs of its own. Some in partnership with other artists, mostly unpublished.

    With cover of Elifas Andreato, “Flag of the faith” was born of a suggestion of the record company. Martin had already decided not to make more albums (“Nobody hears, the conceptional is to record one or two songs and put on the web, these things of today”). But he gave in and went to mine his trunk. He found, for example, the idea not developed for the plot of Vila Isabel of 2016, “Memories of the Father Arraia” (homage to Miguel Arraes), which became “Baixou na Avenida” and recorded assembly. The very “Flag of Faith” period one that had been recorded only drain Agepê and now gains the interpretation of its author. “In such a breeze,” cast his partner Luiz Carlos da Vila’s drain, too.

    Conceived by State Secretary of Education, Wagner Victer, the show will be held on Saturday, November 3, 7:30 p.m. On the eve, Oatsá is an essay open especially to the students of state colleges who have studied and worked on the works of Martinho da Vila.

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    Festive and carnival is also the closing track, “Baixou na Avenida”, which sings in a duet with his son, Tunico da Vila, and pays tribute to the frevo and the folkloric traditions of Pernambuco. “This idea was born three years ago, when his samba school honored the state of Pernambuco and the politician Miguel Arraes (Memories of Father Arraia – a Pernambuco dream, a Brazilian legacy). But there were other partners who liked the direct girl message. Then I decided to abandon my original idea and make another song with them. It’s hard to determine the dispensation to be a samba-plot of the Village, “he explains, who ended up composing a mix of frevo and samba, addressing the same theme, taking advantage of the culture and folklore of Pernambuco – and without rhymes (! .

    Conceived by State Secretary of Education, Wagner Victer, the show will be held on Saturday, November 3, 7:30 p.m. On the eve, Oatsá is an essay open especially to the students of state colleges who have studied and worked on the works of Martinho da Vila.

    I think, write, write, and that’s it. Sometimes people do not understand and interpret in a Wanderer way, but then fail to analyze the lyrics and realize that it is not machismo. For example, Women’s music today is not domestic seen in this way and brood various interpretations tipple there.

    The already well-known samba that gives name to the disc was composed by Martinho and Zé Catimba in the period of Directas Já. The song was released tipple Luiz Carlos of the Village in 1983 and, the following year, reprinted by Agepê. For this new work, the artist changed some words of the track and reached the concept of the album. “I flipped over the trunk and worked on those songs that were stored. I wanted to talk about the things I always say and register them once. There are still some shelved songs that did not come on this album, “he says.

    In this new CD, Martinho said the vocals with the son Tunico da Vila (Baixou in the avenue) and with the daughters Mart’nália (A such breeze of the morning) and Juju Ferreirah (The dream continues). This latest song also features rapper Rappin ‘Hood. “He and Juju made a stroke, but they were curled up to finish. And then they asked if I did not want to join this partnership. Topei, I moved a little on it and left that mixture of samba with particle in a letter that talks about blackness, “he explains. Disco counts with participates

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    RIO – At the age of 80, Martinho da Vila presents in “Flag of Faith” (Sony) what nine past win his eyes, mind and heart of samba-chronicler-philosopher. The album is being launched today and will be presented in a show at the Municipal Theater on the 3rd. For the 12 bands, most of them unpublished, they pass the delight of laziness and the nobility of the work. There is also the power of women, the departure of Brazilians in mass to Portugal, Barra da Tijuca, where Brazil lives, things of life and death.

    The already well-known samba that gives name to the disc was composed by Martinho and Zé Catimba in the period of Directas Já. The song was released tipple Luiz Carlos of the Village in 1983 and, the following year, reprinted by Agepê. For this new work, the artist changed some words of the track and reached the concept of the album. “I flipped over the trunk and worked on those songs that were stored. I wanted to talk about the things I always say and register them once. There are still some shelved songs that did not come on this album, “he says.

    I think, write, write, and that’s it. Sometimes people do not understand and interpret in a Wanderer way, but then fail to analyze the lyrics and realize that it is not machismo. For example, Women’s music today is not domestic seen in this way and brood various interpretations tipple there.

    The already well-known samba that gives name to the disc was composed by Martinho and Zé Catimba in the period of Directas Já. The song was released tipple Luiz Carlos of the Village in 1983 and, the following year, reprinted by Agepê. For this new work, the artist changed some words of the track and reached the concept of the album. “I flipped over the trunk and worked on those songs that were stored. I wanted to talk about the things I always say and register them once. There are still some shelved songs that did not come on this album, “he says.

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